\"Timeless Elegance, A New Beginning\", exploring the path of innovation in oriental jewelry design

 

——Great Eastern Beauty - 2024 Golden Jewelry Innovative Design Competition Series

 

"Melodious Chinese Charm, Aesthetic Innovation", on the afternoon of November 16th, the series of activities for [Great Eastern Beauty·2024 Gold and Jewelry Innovative Design Competition] kicked off in a lively atmosphere. In the name of jewelry, the event continues beauty of China, inviting the total executive of the competition's planning.

 

Tang Hong, the secretary-general of the competition's organizing committee, Liu Min, as well the president of the Shenzhen Jewelry Designers Association, Du Ban, a professional teacher of the Jewelry College of Shenzhen City Vocational College (Shenzhen Technician), a senior technician, and an independent jewelry designer, Wu Yaohang, the first outstanding jewelry designer representative of Shenzhen's "City of Design", the Chinese winner of the HRD International Jewelry Design Competition, and a specially appointed honorary consultant of the Guangdong Lingnan Folk Art Research Institute, Feng Shen, the of Pan Shi Jewelry & Fan Xing Jewelry, an IGI international jewelry appraiser, Yang Wei, the founder of PY Design Studio, a master ofenzhen's traditional arts and crafts, and a renowned jewelry designer, Pan Yan, and an independent jewelry designer, Feng Xiaopeng, and other jewelry industry design to discuss and exchange views on the inheritance and innovation of Chinese traditional culture, as well as the contemporary expression of Eastern jewelry culture and aesthetics, using jewelry design language present the thousand-year-old Chinese culture.

 

 

The traditional Chinese culture is extensive and profound, containing endless wisdom and inspiration. Oriental aesthetics, with its unique aesthetic concepts and standards, provides materials and sources of inspiration for jewelry design. At the event, participants combined their own experiences and unique insights into the industry to deeply analyze the unique charm and development of oriental jewelry culture. Oriental jewelry aesthetics emphasizes harmony, nature, and artistic conception, focusing on the fluency of lines and the coordination of colors. The of these elements in jewelry design not only enhances the artistic value of the work but also makes it more culturally rich and competitive in the market.

 

 

Du Ban, chairman of the Shenzhen Jewelry Designers Association, shared in the event that "in today's globalized world, Eastern jewelry should have an international perspective, it needs to retain its own cultural characteristics while being able to engage in dialogue with international design trends. Eastern jewelry design delves deeply the connotations of traditional culture, endowing jewelry with deeper cultural value, it is not only a material decoration, but also a spiritual symbol.

 

 

This designer exchange event specially invited Mr. Long Yunliang, a master of traditional gold craftsmanship and an inheritor of the intangible cultural. Mr. Long is one of the earliest masters of traditional gold craftsmanship in China, and he has been dedicated to the inheritance and promotion of traditional gold craftsmanship for 40 years. At the event, he further discussed the cultural value of traditional gold craftsmanship with everyone. The traditional gold craftsmanship that has been passed down for thousands of years demonstrates the unique pursuit and profound understanding of beauty by the Chinese nation. Mr. Long's unique insights into the inheritance of traditional gold craftsmanship and cultural have brought valuable inspiration and inspiration to the designers.

 

 

The successful hosting of the "Elegant  Flows, Great Beauty Initiates the New" design exchange event has provided strong support for the in promoting the inheritance and innovation of Chinese traditional culture. In his speech, Tang Dong, the general executive planner of the competition, said that this exchange has us the infinite possibilities of oriental jewelry design. We hope to take this opportunity to jointly promote the prosperity and development of Chinese national style jewelry culture, and to the beauty of the world and the harmony of jewelry into Chinese philosophical thinking. We also look forward to more excellent works emerging in the future, so that the treasures Chinese culture can shine even brighter on the world stage.